Play Along Piano

Tags

Baroque

Frislan

1:42	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		16	3	5	6	100%
		21	3	5	4	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		16	3	5	6	100%
		21	3	5	4	92%

Zappaguri (Parasite OST)

LUKAS209

1:41	Est. Play Time
42	Measures
	1,253Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	46	86	20	7	100%
	37	31	15	6	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	46	86	20	7	100%
	37	31	15	6	100%
Violin 1	38	11	17	6	100%
Violin 2	30	5	11	6	90%
V. Cello 1	30	0	10	5	88%
V. Cello 2	27	0	11	5	81%

Pachelbel Canon

IsxnenToby

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino	21	2	0	7	93%
Arpa	8	7	0	3	79%
View all 5 Parts

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Violino	21	2	7	93%
Arpa	8	7	3	79%
	6	0	2	93%
Vibrafono	18	5	5	82%
Clarinetto	22	0	5	72%

Piano concerto no 3

Nicolasmin02

2:04	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	30	2	4	100%
	24	33	2	5	89%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	30	2	4	100%
	24	33	2	5	89%
	17	9	1	4	100%
	20	15	2	4	89%

"Quel ch'il cielo" from "Il Pastor Fido," HWV 8a, 1712

edward.maurath

1:31	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	14	0	2	3	100%
	10	0	1	3	100%
View all 15 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	14	2	3	100%
	10	1	3	100%
Harpsichord	10	1	3	100%
	14	2	3	100%
Oboe	13	3	7	100%
	12	3	5	100%
Contrabasses	14	2	3	100%
Viola	10	1	3	100%
Violoncello	14	2	3	100%
Vn 1	13	3	7	100%
Vn 2	12	3	5	100%
Bass	12	2	3	93%
Soprano	12	3	6	93%
Tenor	11	2	3	93%
Alto	12	3	4	87%

Fugue en la mineur / Fugue in A minor

Léo Boivin

1:41	Est. Play Time
50	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	2	2	6	98%
		12	0	0	5	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	2	2	6	98%
		12	0	0	5	94%

"Siet'assai superbe, oh stelle," from act 2 of 'Rodrigo,' HWV 5 (1707)

edward.maurath

1:58	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
	18	6	4	5	94%
Harp (Continuo)	16	10	3	5	100%
	18	6	4	5	94%
	17	0	3	4	77%
Violoncello (Continuo)	18	0	3	5	94%
Contrabass (Continuo)	17	0	3	4	77%
Contrabasses (Continuo)	17	0	3	4	77%
Strings	16	0	3	4	77%
Violoncellos (Continuo)	18	0	3	4	77%
Rodrigo	15	0	5	7	67%

"Caro Amor" from "Il Pastor Fido," HWV 8, (1733)

edward.maurath

1:45	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	0	4	100%
Flute	13	0	1	5	95%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	0	4	100%
Flute	13	0	1	5	95%
	13	0	1	5	95%
Contrabassi (Continuo)	13	0	0	3	95%
Viole 1	13	0	1	5	95%
Viole 2	13	0	1	5	95%
Violini 1	13	0	1	5	95%
Violini 2	13	0	1	5	95%
Violoncelli (Continuo)	13	0	0	3	95%
Cembalo (Continuo)	21	41	1	5	78%
	16	15	0	4	38%
Soprano as Mirtillo	9	0	0	5	44%

Praeludium C major

Tokoloko

1:42	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	0	5	2	100%
		27	0	7	2	86%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	0	5	2	100%
		27	0	7	2	86%

HWV56N46 - Since by man came death

edward.maurath

1:45	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alti	9	0	2	5	92%
Bassi	15	0	3	5	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alti	9	0	2	5	92%
Bassi	15	0	3	5	92%
Soprani	12	0	3	5	92%
Tenori	10	0	1	5	92%
Organ	17	56	4	4	69%
	14	18	3	4	69%
Cello Continuo	16	0	2	4	67%
Contrabass	16	0	2	4	64%
Viola	13	0	1	4	64%
Violin I	13	0	3	4	64%
Violin II	13	0	2	4	64%

Bois épais (Amadis - Jean-Baptiste Lully)

Carlos E. Marrero

2:04	Est. Play Time
56	Measures
	1,148Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clave II	19	8	3	7	100%
	21	6	5	6	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clave II	19	8	3	7	100%
	21	6	5	6	100%
Clave I	21	43	5	17	100%
	20	0	2	6	97%
Cello	18	0	3	6	100%
Contrabajo	19	10	3	6	100%
Violas 1	14	0	1	7	100%
Violas 2	13	0	1	6	100%
Violines 1	13	0	2	7	100%
Violines 2	13	0	3	6	100%
Amadis	12	0	2	8	75%
Oboe d'Amore	12	0	5	8	75%
Flauta	13	0	1	5	27%
Oboe	7	0	1	5	27%
Fagot 1	9	0	0	6	25%
Fagot 2	15	0	1	5	25%
Clarinete en Si♭	8	0	1	5	9%